Avon Fantasy Reader No. 7 — page 103: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

TTHE WERE-SNAKE : eg 99 en. The second carving that came visible or was shown to Barry was to the link that would carry him through the novel, because he would discover the red-headed picture underneath the surface picture to be his own rephca in another incarnation. : “The ancient carving would cast a spell over Barry that would take him ck to the time when his ancestors were in the same environment as the carving’s creation; there he would encounter also the earlier incarnation of the girl. Aare : . “The novel was laid to one side while Mr. Merritt figured out a few of the problems that Barry would be up against when he came in contact with his hard time even bringing himself to think of writing a sequel to any of his stories. While he would be figuring out ways and means of getting his char- ters around, another story-idea that was entirely new would pop into his ind and he would not be able to resist the temptation to try out the new one. Then again he had so little leisure time for novel writing in the last few years.” a 2 he Wee Snake = Frank Bellnap olony, ar. ~¢ * a » eae oes V0 ot new to the pages of fantastic periodicals. One of the pillars of modern science-fiction production, Long has a myriad of good stories to his credit. The Were-Snake 7s one of his earliest tales, a story of ancient ruins and of age-old evils still lingering amid the relics of past horror..It is one of those first few stories whose acclaim convinced the writer that he should turn his talents permanently to the storytelling art. ees OAS ind, describing the place in Old Yucatan where the Mayan carvings were | cestors of the red-haired race. It was also laid aside because Mr. Merritt had Frank Belknap Long, Jr.. may be new to the Avon Fantasy Reader but he is — -~> ECoOmMmicbooks.co m