Pulp Fiction, 1865 · page 142 of 400
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Caramel Cottage. 127 in, cords and all, and began to shovel in the mould upon it with desperate haste. Terror seized on Katrine. What was in that matting? All in an instant, a little corner of the veil—that had obscured from her understanding so much which had seemed mysterious and unfathom- able—lifted itself, bringing to her an awful conviction. Was it Edgar Reste that was being put out of the way; buried for ever from the sight of man? Her father must have killed him ; must have done it ina passion! Katrine Barbary cried out with a loud and bitter cry. Fascinated by the sight of terror, she was unable to draw her eyes away. But the next moment they had caught sight of another object, bringing equal terror, though of a different nature : some one, who had apparently crept in at the gate unheard, was standing at the corner of the garden hedge, looking on. Was it an officer of the law, come to spy upon her father and denounce his crime? But, even as she gazed, the figure drew back to make its exit by the gate again, and to Katrine it seemed to take my form. “It is Johnny Ludlow!” she gasped. ‘‘Oh, I pray that it may be! I think #e would not betray him.” Katrine watched on. She saw the grave filled in; she saw her father stamp it down; she saw him carry the superfluous mould to a place under the wall, near the manure bed, and she saw him stamp that down, and then cover it loosely with some of the manure, so that it might look like a part of the heap. ‘Then he seemed to be coming in, and Katrine thought it must be near to morning dawn. Crawling into bed, she hid her face, that never again ought to show itself amid honest men, under the clothes. Some covert stir yet seemed to be going on in the yard, as of pumping and scrubbing. Turning from hot to cold, from cold to hot, Katrine was seized with a shivering fit. ‘And who really was it watching ?” she moaned. ‘It looked like Johnny, yet I can’t be sure; he stood in the shade.” But it was me, as the schoolboys say. And the reason of my being there at the small, unearthly hours of the morning, together with the conclusion of this appalling story, will be told next month. JoHNNY LUDLow. Goin ©) DNOOKS (SO) im