Pulp Fiction, 1922 · page 40 of 180
Argosy, Vol. 147, No. 1 — page 40: what you’re looking at
A restored page from Pulp Fiction, 1922. Page through the whole issue in the reader above.
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Seth aaa oe 4: = +2 wa a 2 ee wer: . <M x, = —.«.* ; * i, 7 - *cnbe” 1 * a 1 ARE: # oe id Fa! il er 7 Jon < + : 7 t x a rs re “3 > is ae ahi TO ais ee ugh. All you've got ik right out of here to-morrow ith me and be married. Come aught her breath in a little gasp of 2 - Pd lik to!” she breathed. “ But t—I couldn't. You see, I’ve given ark the car in the street and it here the first morning, unless I im my word of honor I wouldn’t at- ot to run off while he took it to the e. _ And every morning he still makes e him my word of honor. I couldn’t that” andy’s forehead wrinkled. No,” he agreed. grumblingly, “ you nt do that.” And yet this is the only chance I get u.” she wailed. “ Oh, it does seem om ~ What can we do?” “We've got to do something,” he re- yned sternly. “My self-respect won't rm: : this sort of thing to go on. I love su, and you love me, and I want you to ry me. There’s nothing to be ashamed about in that, is there? 1 didn’t even know r father had any dollars when I first ? ed you to marry me; and I don’t need y of them now.” No, I don’t,” he returned sturdily— ot if you’re willing to live on what I ke. which isn’t so bad, in my opinion. ve li ve outside the city we can even af- | a car—a small one you drive yourself, lerstand; no limousines or chauffeurs. I er if you’re willing, though?” e looked at him reproachfully. Vou know I am, or I wouldn’t love you nuch, would I?” ‘agreed as to that. “ Now, the only x is o figure out how to get you where be ‘married. You say there’s no of your slipping away?” > a ‘she repli ed, “ because, whenever ee any one, the car waits outside nd my father has compelled me to rd that, if he allows me to go to * the like, I will make sfore the car comes ia Ser 64 a ca > ee Se ae ae ee See es ea 3GOSY-ALLSTORY WEEKLY.. A — . If I do net give my word I’m not permitted to go. My father knows he can trust me when I give my word. And I know if I broke it to him, I might break it te you— to anybody. Isn’t that true?” “ Yes,” he admitted, “ that’s true enough. Well, there’s only one thing to do then. We must elope from your house some night.” “ But how can we?” she asked, with a little cry. “That detective is on duty there. I never know when he is asleep, and his room is directly over mine. And this other man, Evans, is in the garage.” “ Never mind,” said Randolph Beatty, taking her in his arms. “ When you come to-morrow morning, bring the plan of the house with you. Make a sketch of it for me with the location of the various rooms— yours, your father’s—every one’s. Mean- while, I'll manage to get a good look at the place from the outside. I'll go there pre- tending to be a book agent or something, and get a chance to look the ground over. You just leave things to me, little girl.” From the trustful look in her eyes as she raised them, you might have imagined young Mr. Beatty was some conquering general instead of merely the office manager at Johnson and Selkirk’s, Incorporated, wholesale teas, coffees, and spices. CHAPTER V. THE GREAT PLAN, T was two mornings later when the final | scene for the great elopement was finally settled upon. The morning before Co- rinne had brought the rough plan of the Marshall house interior. She already knew that Randy had visited the house on the previous afternoon, for from her second- story window she had seen him in the dusk coming up the graveled walk, a leather dis- patch case under one arm and a parcel of books under the other. She had lost sight of him under the port- ico; but, a few moments later, had seen him come down the stone steps and cross the lawn toward the garage. She had hur- ried to a hall window and had caught an- other sight of him in conversation with Ri- _ : O — Comichooks.com