Pulp Fiction, 1919 · page 3 of 196
Argosy, Vol. 112, No. 2 — page 3: what you’re looking at
A restored page from Pulp Fiction, 1919. Page through the whole issue in the reader above.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
ARGOSY In answering ADVERTISING SECTION. =| PERN a hl A ALDA DESTINN HOMER RUFFO BOR! EAMES JOURNET SAMMARCO BRASLAU ELMAN KREISLER SCHUMANN-HEINK CALVE FARRAR KUBELIK ScoTTt CARUSO GALLI-CURCI MARTINELLI SEMBRICH CLEMENT GARRISON McCORMACK TETRAZZINI CORTOT GILLY MELBA WERRENRATH CULP GLUCK MURPHY WHITEHILL DE GOGORZA HAMLIN PADEREWSKI!I WITHERSPOON DELUCA HEIFETZ PATTI ZIMBALIST POWELL It is to these artists the public instinctively turns for musical entertainment in the great opera houses, theatres and concert auditoriums throughout the world. And on the Victrola their glorious art echoes and re-echoes in thou- sands upon thousands of homes. To hear these famous artists on the Victrola is to be thrilled and inspired by their exquisite interpretations, to experience the delight that only the greatest music can bestow—that only Victor Records bring into your home. Every rendition as true as life itself—and it is in acknowledgment of this perfection that these great artists have chosen the Victrola as the instrument to convey their masterpieces to the music-lovers of all the world. Victors and Victrolas $12 to $950. Victor dealers everywhere. ry one of these Victor artists is a reason for having a Victrola Victor Talking Machine Co., Camden, N. J. Mishkin —Dupont—Matzene—Horner—Rembranat Studios—Davis & Sanford— Kirkland—Hall—Apeda—Underwood & Underwood—Bangs—Strauss—Peyton this advertisement it te desirable that you mention this magazine. (C@) Ibook