10-Story Detective Magazine Cover — page 67: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Shek ' ay ’ ye At Bhs bd A Lhe | Pin Ye s e AP) abd Aaa uN Oa eae cy Nel Wa ‘ ‘ és Pts; eM ee eb bel A a 4 i fy Wt sy sf VA Mahe ~ a * ‘ ; ' aa ‘ ; . x «| i ‘ * nt \ Hy ae tek ! 7 Sy ‘s BD 1 oy De SR . ; = tired of this cat-and-mouse chase. =o See Every sensory organ was attuned _ for trouble as he moved slowly toward the mummy case. He heard a scraping sound and stopped quickly. Then he saw two of the big mummy cases start toppling over. He gave a savage lurch forward and avoided them by inches. They were cracked—ruined—by the fall. Jarvis looked around for signs of the killer rushing away from this spot, but he must have moved too fast. Covered up the sound of his own re- treat in the racket made by the fall- ing mummy cases. Jarvis’ trigger finger relaxed a bit. He found the cause of the weird blue light. A piece of colored cellophane had been draped over a tiny spotlight used to illuminate one display case. The killer must have trained the spot directly on that mummy. Jarvis jerked erect. This time there was no denying that someone was at the far end of the museum—near the front entrance. The intruder’s feet scraped across the floor as if he tried to hide any sound and couldn’t because his feet were too heavy with fear. ERHAPS this was just another trap. Jarvis didn’t care. He tiptoed | back toward the entrance, and this time he saw a shadowy figure clearly. Whoever it was, the man kept close to the wall and moved slowly and cau- tiously. Jarvis flattened himself just beyond an archway between two rooms. His gun was partly raised so. he could draw down for quick, accu- rate shooting, The intruder came closer and sud- denly let out a wild yell of terror. Jar- vis cursed because he saw the cause. There was one of those huge stained glass windows directly behind him. Car headlights must have flashed across it and emblazoned his shadow -on the further wall. Jarvis came out of his hiding place and sprinted after the man. He seemed ~~ in no mood to offer resistance. Jarvis got closer and suddenly went into a dive. He slid across the smooth marble floor and one arm shot out to grasp the fleeing man’s ankle. He came down with a crash, — Jarvis arose quickly, stepped close and aimed his gun. 3 “Get up,” he snapped, “Keep your hands where { can see them, Oh— damn! What the devil are you doing here, Gorman?’ The watchman got up, nursing a gore kneecap. He was still shaking and wheezing so badly he couldn’t talk for a couple of minutes, Finally he got it out. “T—thought you were one of those —ghosts. Honest [ did. I—I came back —felt I had to. This—is my job. I’ve never been scared before. Even if I kept telling myself the wacks who owned this place and all that’s in it were bound to come to some unholy end.” “So you suddenly recovered enough courage to return,” Jarvis grunted. “Gorman, you’ll never know how close you were to being shot. Well, now that you’re here, we’ll both begin hunt- ing, and I can tell you one thing.” “The Aztec god?” Gorman asked breathlessly. “Something else has hap- pened?” _. “Plenty has hamererietl but the Az- tec god isn’t responsible, The mur- derer is inside this museum now and S I’m going to get him. I refuse to call for help because that killer is my meat, Come on—I think he went into the -Aztee Room.” “J_I’d rather stay in the office,” Gorman pleaded. “As you wish—but you'll be no | safer there. This killer moved around the place fast and he knows every cranny of it. I'd advise you to stay close to me.” “ft will.” Gorman drew himself erect. “I’ll even help you grab that killer, Lead the way, sergeant.” They both walked slowly toward the Aztec Room. Within ten feet of it, they heard a slow, scraping noise. Gor- man bit at his lower lip, seemed to summon courage from somewhere and i} OF a Ps witha) : “/ OfAre v 7 (eo9 ) , / if ] i His ie eo ie Mi ‘y id Ne ‘ iy) , } : a nay stage 7 Ru i eg il AW alt 4 ’ ay, ue M f ] wAties sy Me “ aT i, Aone ates - EN ARTE Bees I oy rai) RT Weta ‘ihtes tre Hat te | bePTy ox, kat a ye - f Lid WP alia Ath i hah ive