10-Story Detective Magazine Cover — page 107: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

his men who had risen early were playing poker, and continued through a door on the far side. In Sirro’s of- fice, the racketeer told Duryea to pull up a chair. Sirro, meanwhile, mixed two drinks. “What’s broke, Duryea?” asked over his shoulder. “Crain has run Patty O’Reilly in.” “What!” The glasses almost dropped from Muffy’s hands. There could be no doubting his surprise. “You ain’t heard about it?” ‘Hell, no, Duryea. I just got up. I don’t know a thing. What’d he try to hang on her?” “Larceny, maybe. stolen goods, anyhow.” “Why, that dirty copper! Patty never stole a pin in her life!” “Yeh, but he caught her with the goods.” “T’ll have that lousy copper’s heart for that! T’ll run him out of town!’ “T got it against Crain because he is a grafter,” Duryea said evenly. Muffy picked up the phone. He called his lawyer. “Hello, Weis? Muffy. Crain got Pat- ty O’Reilly in the precinct jug on a charge of having stolen—” He broke off and asked Duryea: “What he say she stole, Duryea?”’ “Furs,” Duryea informed him. “Furs?” Muffy’s voice and expres- sion were suddenly blank. But he re- covered and told Weis: ‘‘Furs, Weis. Yeah. They haven’t got a thing on her. What? You know Patty, don’t you? Why, she wouldn’t steal—Yeah, Muffy Possessing I know about them innocent dames, | Weis, but Patty’s different. You get her out of it, that’s all.”” He hung up. The racketeer took a swig and faced the detective again. “What furs, Duryea?” he asked. “The General Storage furs. She had all five of ’em.” ° - Muffy was thoughtful. At last he said: “She was framed, Duryea.” “Yeh, that’s what I figured. Who done it, Muffy?” “T don’t know.” Please mention Acm Fiction Grour when answering avertisement= (A>) Ebookszcom:. Nor mal School Principal Finds N.I.A. Gives Real Service “T have sold an article to Real America. Before enrolling I was skeptical of N.I.A. training as the best preparation for writing in fields other than newspaper report- ing, but now I am convinced that you make good on your claim that N.LA. is the preparation needed by writers in all fields, N.I.A. renders a real service by giving thorough, Se ae expert criticism.”’ MENDENHALL 253 Linden St., Fond du Lac, Wis. Why Can’t You Write? It’s much simpler than you think! O many people with the “germ” of writing in them simply can’t get started. They suffer from inertia. Or they set up imaginary barriers to taking the first step. Many are convinced the field is confined to per- sons gifted with a genius for writing. Few realize that the great bulk of commercial writing is done by so-called “unknowns.” Not only do these thousands of men and women produce most of the fiction published, but countless articles on business affairs, social matters, domestic science, etc., as well. Such material is in constant demand. Every week thousands of checks for $25, $50 and $100 go out to writers whose latent ability was perhaps no greater than yours. The Practical Method Newspaper work demonstrates that the way to learn to write is by writing! Newspaper copy-desk editors, waste no time on theories or ancient classics. The story is the thing. Every copy “cub” goes through the course of practical criticism—a training that turns out more successful authors than any other experience. That is why Newspaper Institute of America bases its writing instruction on the Copy-Desk Method. It starts and keeps you writing in your own home, on your own time. And upon the very same kind of actual assignments given daily to metropolitan reporters. Thus you learn by doing, not by studying the individual styles of model authors. Each week your work is analyzed constructively by prac- tical newspaper men. Gradually they help to clarify your own distinctive style. Writing soon becomes easy, absorb- ing. Profitable, too, as you gain the “professional’’ touch that gets your material accepted by editors. Above all, you can see constant progress week by week as your faults are corrected and your writing ability grows. Have You Natural Ability? Our Writing Aptitude Test will reveal whether or not you have natural talent for writing. It will analyze your powers of observation, your imagination and dramatic instinct, You’ll enjoy taking this test. There is no cost or obligation. Simply mail the coupon below today. Newspaper Institute of America, One Park Ave., New York, N. Y, Newspaper Institute of America One Park Avenue, New York Send me, without cat or obligation, your Writing Aptitude Test and further information about writing fer profit as promised in Ace Fiction Group, July. Miss Mrs. eeeeteeo eo ee eeeaeeeveeoeseeereeeeeeeereveaerereeeeere -. Mr, pO Pr See ee Oe pee: Wh eine APOE kee (All correspondence confidential, No salesman will call on you.) 53G599