Marion Marlowe in Cleveland, or, The Mystery of the Red Rose — page 29: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

36 “3 bloodshed in the city, and the police attrib- uted this in great degree to the fact that they now had three dangerous malefactors safely in their clutches. No threats were needed to get the matter straight, for the real cul- prit promptly confessed his plot and identified his accomplices. They were all half-witted foreigners, whose brains had been turned by the conditions existing in the city of Cleve- land; but one, “the fellow with the hollow eyes and the red rose in his buttonhole, had complicated matters by mixing love affairs with bloodshed. Why he selected Miss Mar- lowe no one ever knew, but it was probable that he saw her and was smitten by her beauty. Before the Temple Theatrical Company left the city they found the owners of the bracelets. They had been stolen a month be- fore and all trace of them lost. Every member of the company was glad to leave the scene of so much excitement, but it was days before they quite recovered from the horror of the explosion. Everything had been explained except the changing of the package; but, although a hundred theories were put forward, not one “was conclusive—there were no proofs forth- coming to explain how it was done, so this detail of the tragedy remained a mystery. At the depot Marion Marlowe was cheered by an enthusiastic throng. She had gained their admiration by her sweetness and genius, but her heroic conduct at that thrilling mo- ment of that awful night had won their hon- est affection. THE END. Marion’s next appearance was to be in Co- lumbus. After the terrifying experiences she had just been through she and the Temple Theatrical Company looked forward to a sea- son of comparative quiet. An unexpected ‘neident led to a series of developments that were to keep the company on the qui vive for some time to come. What these devel- opments were will be told in next week's My Ovuren (No. 17), In a story entitled, “Marion Marlowe 1n Columbus; or, Accused of a Crime.” MY QUEEN. PATTERN COLUMN. By special arrangements with the manufacturers we are enabled to supply the readers of My QUEEN with the pat- terns of all garments described or illustrated in this column at TEN CENTS each. Address, ‘Pattern Colunin,”’ My QUEEN, 238 William Street, New York City. Baylin ordering patterns be sure to give size and numiere FASHION NOTES. Searlet and gold in combination gives a mili- tary touch to many a costume this season, but it is almost exclusively reserved for young women. The latest street glove is of heavy skin, fastened with one large pearl stud. Sometimes gold studs are used. Reversible satins are used extensively on win- ter hats, and for linings, facings, draperies, choux tea-gowns, accordion-pleated petticoats, founda- tions for lace and velvet opera wraps, etc. Among the two-toned effects are green and gold, black and gold, violet and old rose color, orange and azurine, petuina and reseda, and bright cherry red and black. _ NO. 2,369 -MISSES! FANCY WAIST. "Mohair in pastel shades is the latest Paris whim for fancy waists In this design pale coral pink mohair is used with cream all- over lace This waist is very stylish and withal quite simple to make Flannel, serge, poplin, mohair and other light-weight woolens are used for making this waist. The pattern is cut in sizes 12, 14 and 16 years. Size 14 years requires three yards of 21-inch or one and , | seven-eighths yards of i a 42-inch material As il shown,one and three- dighths yards of 32-inch, with one and one-eighth yards of allover and one and one-half yards of applique trimming ne No, 2368—LADIES’ TUCKED SHIRT WAIST. This style of waist is particularly smart in silk or fine wool fabrics. A trimming strap, shaped to effect a three-point- Bi ed yoke, is stitched on the front justabove the termination of the tucks. This trimming piece may be of the material stitched, of of insertion, or of ap- plique trimming, or it may be omitted. Nun’s veiling, cashmere, vi- cuna, flannel, mohair taffeta, or satin would make pretty waists 1n this atvle. The pattern is cut in sizes 92 to 42 inches bust measure, Size a6 requires g 1-2 yards of ar-inch, or 2 1-8 vards of 42-inch material. Eomicbooks (E(0) A — a a ——— a