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Penny Dreadfuls, 1900 · page 155 of 302

The Mate of the Vancouver — page 155: what you’re looking at

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The Mate of the Vancouver — page 155: Penny Dreadfuls, 1900

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# i 1 ¥ = Lb . RS whe. a: Whnd . eee, SE ay ee ee eg ee eee Ge ee are oe tae ee pe ee Sate Aut sy i ne ee a“ ine 8 eet hy el ai pS ee a") kee a A > é P et Nees te 6. e apart a os es, “ IS ae! 4 ‘ rie. ek! Se i, cok TS - # tes a ee Sey . : Sf: gS eee & VE phe hie = St OW ae 5 ele ts i | sat ah Se Rao aS fy as £5 7 -: * ae . £3 Ce a Fin Ls ey ee 5 er Oe ne : ie A ape Be ad : i ge st dae BE RE Aty sey! ‘FA Lhe Sh i ao bate. \ : 3 4% . , a 77 Lk haa —: ane ¢ = me i.e 4 font i ‘ a5 ( j aS Se EA’ 4 ‘ # A GOLSEN LINK. fall instead of the following spring. For things seom linked together in life, and, in - writing, one wust put everything in unless more particular description becomes tedious, because of its interfering with the story. And though trapping 1s interesting enough, yet I am not writing here about that or hunt- ing, which is more interesting still; and when a man tells me e, yarn he says is about a cer- tain thing, I don’t want him to break off in the middle to say something quite different, any more than I like a man to get up in the middle of a job of work, such asa long splice which is wanted, to do something he wasn’t ordered to do. It’s on'y a way of doing a literary Tom Cox’s traverse, “three times round the deck house, and once to the scuttle-butt”—just putting in time, or making what a literary friend of mine calls “ padding.” So folks who read this can understand why < shall say nothing of this long aad