Judge, 1929-01-26 · page 32 of 34
Judge — January 26, 1929 — page 32: what you’re looking at
A restored page from Judge, 1929-01-26. Page through the whole issue in the reader above.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
hina Raz. Te, hor <Sslands Prot! you are maught bul a pause while L dence pos~ 2 Seen, bender 2 Ven ir “Tis mine! 1 tet you! 4 Comoran Corti1a ND AN ARISTOCRATIC APOSTOPHE~ IN A HEATED RRGUMENT OER THE POSSESSION OF A BOTTLE OF Mik OR SOMETHNE, AMERE MEERSCHAUM PIPE VERY ILL WITH NICGTINE: P POISONING. jnew UT MY paOS ARE co, put THESE ON, Gnd ooh Frost elf sent olfen, orn “stale with ‘a. pai? oF nice warm ear-tabs, we aint no Goad no mo! LLPILLLLLLL OLD USED PHONOGRAPA NEEDLES, HOBBLING TO THE POOR HOUSE —s C$ > wt Pe eons Prd SARS Yes 52, THERES MANY A sup “ater ne cuP AND curs —-g-4-1g=-4= Vie DIATONIC NOTES DOING SOME STEPS AND A HALE STEP ON A SORT OFA HEXICHORD, Aw ANALYST ANALYZING AN ANALYTICAL ANACONDA, AND AN ANACTIORPHOSCOPIC ANAMOR PHO- SIS _ANASTOMOSES AN ANASTIE- MATIC ANASTROPHE, WHILE~ AN ANATOMICAL ANATHEMA ANIMATES AN ANIMA DVERSON, AND AN ANISOMEROUS beige CUE. THAT “ 1S OF COURSE 4 HeceanveLy sPEsunG Ne Uubiel] FOR OAL THis j DESIRABLE PLOT “How is your new house getting on?” “First rate. We've got the roof and the mortgage on, and I think we shall have the kitchen range and the bailiffs in before the year is out!” Judging the Shows (Continued from page 20) Harlem or Flatbush flat: a grim, poorly lighted, orehestraless dump that chilly his mood. the moment he enters it, The theatre of yesterday had a bout it. The red the bright gilt) the lights in the big lobby, the dressed-up folk in the boxes, the friendly house-manager who owned his own dress suit, to say nothing of a silk hat, and who If the customers by their brother-in-law) who lifted one in and out of a fiacre and picked up one’s cane for one, the orchestra that fiddled away for dear life before the show and between the acts and then played one out to a stirring Sousa march—that was a theatre. A fellow went to it with anticipation and delight whatever the nature of the stuff that was displayed on its plat- form. Consider, in comparison, the theatre of today. ce ina handful of cases, this present-day theatre is about as hospitable and inviting as an undertaler’s parlor. The average man goes to it only when sone exceptional play comes along, never—as he used merely for the pleasure of regoing. What the theatre as an insti- tution needs is not plays,as so many argue God knows, they would help a Ipt—but greater attention to the —Tatter theatre as the theatre, A little of the kind of thing that Prof. Ziegfeld has managed on the roof of the New Amsterdam in. the way of warmth, decoration, lights and music would do more to make the American theatre a pleasant place again and to improve show business than all the dubo man agers in meetings assembled chewing the rag can ever hope to do, On that roof there is some- thing of the theatre as the theatre should be. Even a theatre offer- Strindberg repertoire needs more than half a dozen electric bulbs in its lobby, a few imita- tion tapestries on its walls and a phonograph in its orchestra pit. iss Margaret Anglin, the best of American actresses, is on view at the Ambassador in a play called “Lady De fash joned from Dickens’ “Bleak House.” Miss Anglin’s selection of such a vehicle for her high talents is most unhappy. Translations of Scotchograms in This Issue a baker's do not need your di vughter; bat T PAGE 30 T want a new ¢ any? PAGE 31 It’s when he has had a drink that he’s rich but he’s poor as hell Il the ‘he's dry. comicbooks.com