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Abraham Lincoln and the Drummer-Boy by Bonner, John, 1828-1899;
Curtis, George William, 1824-1892;
Alden, Henry Mills,
Public domain · digitally restored by ComicBooks.com
Nast & the Birth of the Political Cartoon

Abraham Lincoln and the Drummer-Boy

Bonner, John, 1828-1899; Curtis, George William, 1824-1892; Alden, Henry Mills, · c. 1863–1867, published in Harper's Weekly

The caption below reads "Abraham Lincoln and the Drummer-Boy" with a reference to an accompanying article. A tall, gaunt Lincoln—instantly recognizable by his high collar, bow tie, and characteristic beard—sits in an ornate chair, leaning forward with evident gravity toward a small boy who stands before him, hat in hand, face buried in one fist in what reads as tearful petition. Lincoln holds his own hat, a gesture of informal respect. A desk strewn with maps and documents anchors the scene in the White House. The image carries no ethnic caricature; both figures are rendered sympathetically. The political argument is sentimental rather than satirical: Lincoln as accessible, humane executive, a president who receives even the humblest citizen—a child soldier pleading his case—with personal attention. It reinforced the Unionist construction of Lincoln as democratic father-figure during or shortly after the Civil War.

About this artifact

Creator
Bonner, John, 1828-1899; Curtis, George William, 1824-1892; Alden, Henry Mills,
Date
c. 1863–1867, published in Harper's Weekly
Rights
Public domain — free to view, share, and reuse.
Restoration
Digitally restored and hosted by ComicBooks.com.

Part of our mission to preserve and restore the public-domain heritage of the medium.