This Dutch wood engraving depicts a robed Mercury-like character holding tablets looming over a chaotic scene of officials, soldiers, and figures engaged in trade and labor around barrels and supplies. The composition employs the pictorial satire tradition—inherited from Hogarth and Gillray—where exaggeration of dress, posture, and character type conveys political critique. The inscription describes Moses descending with tablets, invoking divine authority. Such satirical prints circulated widely in 19th-century Europe, targeting state policies through visual wit. This work precedes comic strips but shares their DNA: sequential narrative, caricature, and popular print distribution to shape public opinion on contentious affairs.
About this artifact
- Date
- 1866
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com.
Part of our mission to preserve and restore the public-domain heritage of the medium.