This wood engraving satirizes a Dutch legislative proposal for higher education in Indian language, geography, and ethnology. The upper panel depicts colonial administrators and Indigenous peoples in hierarchical arrangement; the lower shows ritual or ceremonial figures with Egyptian and Eastern iconography. The print exemplifies the 19th-century Bilderbogen tradition—picture-sheet satire that employed sequential scenes and caricature to mock policy and social pretension. Such prints descended from Hogarth's narrative sequences and Gillray's political caricature, establishing visual conventions later adopted by comic strips: sequential panels, exaggerated physiognomy, and satirical commentary on institutional power.
About this artifact
- Date
- 1864
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
Part of our mission to preserve and restore the public-domain heritage of the medium.