This Dutch wood engraving satirizes panic during a ballroom fire in The Hague. Well-dressed attendees collapse, flee, and trample one another as flames rage above—a commentary on bourgeois vanity and social chaos. The print employs the visual vocabulary of 19th-century European political satire: exaggerated poses, densely crosshatched shading, and caricatured expressions that mock both the disaster and those who experience it. The accompanying Dutch text mocks the spectacle. This genre—combining current events, humor, and moral critique—directly influenced modern comic illustration, from Daumier's social prints to contemporary graphic journalism.
About this artifact
- Date
- 1863
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
Part of our mission to preserve and restore the public-domain heritage of the medium.