This Dutch wood engraving satirizes the Catholic Church as an assembly-line factory mass-producing saints. Pilgrims queue at a counter labeled "PASTE PRIJZEN" (paste prizes) while clergy operate the mechanical apparatus of canonization on shelves above—a sharp critique of religious commerce and institutional corruption. The print descends from a rich tradition of political satire: the sharp social observation of Hogarth, the vicious caricature of Gillray and Rowlandson, the populist bite of Daumier's lithographs, and the German Bilderbogen picture-sheets that reached mass audiences through cheap woodblock prints. Here, the factory metaphor weaponizes industrial modernity against clerical authority, rendering holy manufacture as literal, absurd, and mercenary. The engraving's fine cross-hatching and crowded composition recall both Hogarthian detail and the democratic reach of popular prints.
About this artifact
- Date
- 1853
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com.
Part of our mission to preserve and restore the public-domain heritage of the medium.