This hand-colored engraving mocks Napoleon during his final defeat, presenting his profile as a grotesque physiognomy—a technique inherited from 18th-century caricaturists like Gillray and Rowlandson. The distorted facial features, exaggerated nose, and wizened expression transform the French commander into a carnival creature. His military uniform and epaulettes contrast sharply with the grotesquerie above, amplifying the satire: power reduced to absurdity. Dutch text below elaborates the political attack.
Such prints descended from Hogarth's moral narratives and evolved through Gillray's political invective into the mass-produced broadsheets—Bilderbogen picture-sheets—that dominated European popular culture. These caricatures established visual conventions adopted by later comic strips: expressive distortion for ridicule, text-image integration, and sequential narrative potential. Political satire became visual language itself.
About this artifact
- Date
- 1813
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com.
Part of our mission to preserve and restore the public-domain heritage of the medium.