This etched broadsheet mocks King Louis XIV of France as an infant in a high chair, surrounded by scheming courtiers and demons. The Dutch engraver transforms the French monarch into a helpless child, his power illusory—a common rhetorical move during Anglo-Dutch conflicts of the 1680s. Numbered figures correspond to printed verse below, which ridicules the king's ambitions and vanity. This print descends from 16th-century German Bilderbogen tradition and prefigures 18th-century satirists like Hogarth and Gillray, who married dense visual caricature with explanatory text. The combination of grotesque bodies, allegorical figures, and political invective established a template for political comics: visual mockery amplified by printed commentary, making satire legible to literate publics across language barriers.
About this artifact
- Date
- 1689
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
Part of our mission to preserve and restore the public-domain heritage of the medium.