De Bisschop op de Bagijn (The Bishop at the Beguinage)

This copper engraving depicts a satirical scene of religious and sexual hypocrisy: a bishop, identifiable by his mitre and staff, fondles a young woman (a beguine, member of a lay religious community) while pig-headed demons and grotesque creatures cavort around them. The composition mixes moral commentary with crude visual puns—animals behave lewdly, and ecclesiastical pretense collapses into carnality.

The print exemplifies Northern European satirical engraving of the 17th century, a tradition that would flourish through Hogarth and reach full development in 18th-century British caricature. Such images attacked clerical corruption through exaggeration and burlesque, combining religious critique with scatological humor. The engraved line-work allowed fine detail and wide distribution, making prints powerful tools for political and moral attack—ancestors to the political cartoon and comic strip traditions.