This engraving presents French royal history through allegorical figures in a palace setting. Above, celestial beings display a portrait within an oval frame while cherubs attend; below, personified virtues and vices interact around a table laden with documents and regalia. The composition contrasts heavenly order with earthly chaos—a visual argument about governance and succession.
Such elaborate political allegories typified early 18th-century print satire, when engravers deployed classical iconography to critique state affairs. This tradition, refined by Hogarth and later perfected by Gillray and Rowlandson, established the visual vocabulary of political commentary: layered scenes, symbolic objects, and exaggerated figures that educated viewers decoded as social criticism. These engravings were precursors to the sequential narrative panels of comic strips, sharing their commitment to visual storytelling as political weapon.
About this artifact
- Date
- 1724
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com.
Part of our mission to preserve and restore the public-domain heritage of the medium.