This copper engraving depicts a corpulent, elderly monk dozing in a chair, a white paper or document slipping from his grasp. The figure represents a common subject of eighteenth-century religious satire: the lazy, gluttonous clergyman indifferent to his duties. The fine cross-hatching and careful modeling of fabric reveal the printmaker's technical skill in engraving—a medium that allowed sharp detail and wide distribution across Europe.
Such prints descended from the Reformation's Protestant attacks on Catholic clergy and flourished through Hogarth and Gillray into the nineteenth century. The image participates in a centuries-long tradition of mocking ecclesiastical hypocrisy and worldliness. This work exemplifies how satire and caricature, ancestors of modern comics, merged entertainment with social and religious commentary.
About this artifact
- Date
- 1724
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com.
Part of our mission to preserve and restore the public-domain heritage of the medium.