This copper engraving depicts a fantastical procession of sea creatures and mythological figures emerging from the water, their vessel laden with symbolic objects and characters. Mermaids, tritons, and hybrid creatures perform on a ship while a fortified city appears across the water.
The work belongs to the Northern European tradition of political satire prints, which preceded the modern comic strip. Using allegorical monsters and exaggerated human types, engravers conveyed social critique to both literate and popular audiences. Dutch prints of this era often mocked rival powers, religious opponents, or domestic follies through fantastical scenes. The detailed inscription below explains the satirical meaning, anchoring abstract imagery to specific grievances—a technique inherited by later caricaturists like Hogarth and Gillray.
About this artifact
- Date
- 1720
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
Part of our mission to preserve and restore the public-domain heritage of the medium.