This Dutch engraving depicts a crowded exchange hall where merchants brandish papers labeled with speculative ventures—from the absurd ("Perpetual Motion") to the fraudulent ("Extraction of Gold from Urine"). The print ridicules the South Sea and Mississippi Company bubbles that devastated European markets. Figures gesticulate wildly, their clothing marked with financial schemes; a central placard lists twenty-three varieties of dubious enterprise. The composition—dense crowds, exaggerated postures, indexed vices—established the satirical formula later refined by Hogarth and Gillray: architectural space as stage for social folly, printmaking as weapon against financial imposture. This ancestor of the political cartoon tradition uses engraving's precision to make speculation visible, funny, and damning.
About this artifact
- Date
- 1720
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
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