Oui! oui! c'est entendu, je comprends!...

Honoré Daumier's lithograph — his chosen weapon throughout a career that earned him imprisonment under Louis-Philippe — shows two men leaning across a café table, wine glasses raised mid-negotiation, their faces pressed close in conspiratorial agreement. Daumier exaggerates jaw, nose, and brow in the physiognomic shorthand of his era: the pseudoscience of Lavater translated into comic grotesque, class legible in every crease. The French caption reads as mutual self-congratulation, two bourgeois congratulating themselves on understanding each other perfectly. Published in the Croquis d'expressions series, the print sits squarely in the lineage running from Hogarth's moralizing plates through Gillray's political venom to Daumier himself — the tradition of sequential, reproducible satirical images whose page-grid logic directly fathers the newspaper comic strip and, eventually, the comic book.