This Sunday theater page from the St. Louis Republic of January 24, 1904, situates itself in the golden first decade of the American newspaper comic supplement — the same ecosystem that produced Yellow Kid, Katzenjammer Kids, and Frederick Burr Opper's own Happy Hooligan, the tin-canned tramp whose perpetual bad luck made him one of the era's most recognized comic characters. The page itself is not a strip but a theatrical feature spread, combining portrait medallions of stage performers with dense critical columns — the Sunday supplement as total entertainment broadsheet. These weekly pages, printed in color rotogravure by competing Hearst and Pulitzer papers, established the recurring character, the sequential panel, and the speech balloon as durable conventions that direct-print comic books would inherit wholesale a generation later.
About this artifact
- Date
- January 24, 1904
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
Part of our mission to preserve and restore the public-domain heritage of the medium.