Six panels follow Hans and Fritz as they lure a rotund adult figure behind a curtain with stolen cigarettes, then engineer a spectacular collapse of furniture and buckets that leaves him drenched and battered — the final panel delivers the strip's signature punchline of chaotic consequence. Rudolph Dirks launched The Katzenjammer Kids in The New York Journal in 1897, adapting Wilhelm Busch's German picture-story Max und Moritz. The strip's consistent cast, sequential numbered panels, and integrated speech balloons — visible here in the German-inflected dialect bubbles — established conventions that American newspaper comics would carry directly into the first comic books of the 1930s, which were simply reprinted Sunday pages repackaged between covers.
About this artifact
- Date
- 1902
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
Part of our mission to preserve and restore the public-domain heritage of the medium.