Penny Dreadfuls, 1602 · page 360 of 400
Penny Dreadful Cover — page 360: what you’re looking at
What you’re looking at
# Analysis of This Page This is a page of running prose—specifically narrative fiction text, not a title page or illustration. The passage appears to be from a classical or early modern literary work (likely an adaptation of the Aeneid story), discussing the emotional turmoil of a Queen (Dido/Elisa) abandoned by Aeneas. The text describes her grief through personified emotions—Love, Wrath, Sorrow, and Despair—acting upon the stage of her mind, with her desperation intensifying as the other emotions depart. The ornate, archaic language and classical subject matter suggest this is NOT actually a Victorian penny dreadful as the prompt suggests, but rather an early modern or Renaissance-era literary text (possibly from the 16th or 17th century), subsequently reproduced in a later edition.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
: > et thy felfe Iuroé and Iudge of the more offenfi ie “Fs es aa! * ba “ ; ,% “ a! Lae SONI a : aie St ail 4 * mA E ae n re | ds a .5 —_ : n Pe « _ : : , se , 3 uv >is ‘ a\ f lencie, ot thine inconftancie, the Iuror could not but giue' Verdict for E/a, and the ludge fentence againft AEneas: | then (if not for my fuite, yet for thine owne fake ) let menor: pleade tedioufly and without grace, that plead fo truely, and with more gricfe than for the quantitie I may futter, or for the qualitie chou canit cenfure, beret AEneas, not lightly gauled at herimpatience/whom he’ ftillloued more than alittle , howbeitleffer than his now re- garde of honour ) thankfully acknowledged her great boun- tic, counter-pleading to haue pretended a depatture without Jeaue taken, vouching moreouer the difpleafure of his Gods for contempt of their Oracles, manifefted by fearefull _ Dreames and fundrie Viftons, as alfo the vrging of his Tro- ans impatient of tarriance. Sothathe refting in Refolution notto be wonne by wooing , orreclaymed by exclayming, the Queene became fpeechleffe and fencelefle , and wasina {woune conuayed from his prefence. In which bufinefle hee boording his Shippes, in the dead of the night hoifting vp Sayles, left Carthage to feeke Hale. ii The Queene, not capable of any reft, by day appearing, difcryed from a Turret the Roade cleered of the 7 roan Nauie:then not willingly filent,nor able to {peake,She ftood as {toode 2zobe after the fourteenth reuenge by Latomaes Iflue: VWhich her then and after Extremities, tobe glaun- cedat, not iudged of, briefely I thus decipher. Imagine a. fubftantiall anda palpable appearance of Loue, Wrath, Sor- row, and Defpaire, ating in their apteft habites and extrea- meft paflions,and then fuppofe £//4 not onely the fame, but” more feruently louing, more furioutly wrathfull, tnorecon- | fufedly forrowfull,and more unpatiently defperate : Imagine. laftly the firtt three imagined AGors,after long parts occupi+' ed, leauing the Stage to the fourth, asto the perfecteft Im- IaH BE. nO ROI NGL "> « palling 1, Re COMME JOOKS. 0} tae -y. Nar i a at y ate S