Judge — May 30, 1931 — page 34: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

“Howdy, Missus Williams! Mornin’, Miss Terry!” HAVE YOU ever seriously contemplated becom- ing an artist? Why be a slave to business—artists have fun and entertainment, as well as untold millions. Work is the answer to success. Now is the time to start. You will find a coupon at the bottom of this page. Try your luck at making an X in the little white CD at the top of the coupon. If we think your X shows talent we will send you 52 issues of a magazine crammed full of the funniest illustrations in America. See what these men have done. You, too, may de- velop these queer humorous tendencies after a year's observation. But first try your luck with the little X so you can Judge for yourself how profitable, enter- taining and educational drawing can be. JUDGE PUBLISHING CO., INC., 18 East 48th Street, New York, N. Y. Gentlemen: Here is my X [ morks the spot where $5.00 is enclosed for 52 weeks of Judge. marks the spot where $7.80 is enclosed for 2 years of Judge. Oo marks the spot where $2.00 is enclosed for 21 weeks of Judge. i) MAIL TO NAME ADDRESS. | her to divulge th The Theatre (Continued from page 18) Ethel Waters, one of the leading sing ing comediénnes of her race. ‘This combination should be enough to sat isfy anyone save the kind of theatr goer who believes that any colored show is not complete without a black out skit in which a tall and a short dinge argue about stealing a chicken and in wi. ch, at the finish, the chicken comes on in the person of a black cutie. The chief faults that on with the Leslie production casional monotony, due to unnecessary repetition, and the practice of all these colored shows in prolongin: songs and business far beyond their amusement voltage. In a white show, shed, it is finished But in a colored show, when it is fin ished it begins all over again. Song written for colored performers, be th composers and lyric writers of licoricx hue or cream, never scem to know when to call ita day. If a black girl starts out to sing a song that she feels blu when a song is fi announeing it isn’t enough for news once or twie: or even three times; she has to go on divulging it for at least half an hour And it is the same with stage business. Where, in a white show, a comiqu may work for a laugh by imbedding 4 toe in the posterior of his vis-a-vis, in a colored show the performer doesn't rest content until he has repes procedure seven or eight times. Prominent in the cast, aside from the elongated Miss Ethel, are the dancing Brothers Berry, the tappinz Eddie Rector and a bushy-haired Allegretti who to go by the name of Valaida. George Gershwin's “Rhapsody in Bl trotted out again and there is a finale in the fa miliar “Porgy” ms . but even these stencils do not make less inter esting, this commendable effort to con vert the Negro show into something superior to the one composed largely of jokes about razors, hen-coops anid watermelons. Nathan Recommends “Me” (On Tour)—The Theatre Guild's pr duction of Alfred Savoir's theolo; An entertaining evening. Due in New early next season. “Once in a Lifetime” (Plymouth)—Still t town's most humorous theatrical session. .\ gay and biting performance upon the gizzar of Hollywood. “The Barretts of Wimpole Street” (Fr pire)—A decidedly itorious play beautifully acted. One of the year's high spots. “The Vinegar Tree” (Playhouse)—One the better sex comedies, good for two hours amusement. “The Wonder Bar” (Bayes) rest doesn't particularly Al Jolson—the matter. Three's A Crowd” (Selwyn)—Bringing back life to the revue form. “Webb, Allen ar Holman lead the ceremonies. “Rhapsody Black” —(Harris)—Superior Negro musical show, happily devoid of the usual dull blackout skits In EDWARD LANGER PRINTING CO, ING, JAMAICA, ® T comicbooks.com