Revisão - Bandas Desenhadas dos Anos 70 #[nn]
In "Booz, Ave d'Arribação," a mysterious traveler known as the "ave de arribação" arrives at a vibrant, surreal metropolis of colorful towers, where entry is controlled by absurd bureaucracy and a towering official. Inside, he searches for a pink ticket, only to encounter the alluring Mulher-Pássaro holding a blue one, as meta-narrative figures watch from beyond the page. The story unfolds as a sharp, playful satire on the era of Reconstrução Nacional, where appearances promise reward but the true seeker remains unseen.
In "Clave Sem Sol," a desperate composer, haunted by the melancholy of a blind violinist, is kidnapped from the heart of the city after a fleeting moment of inspiration. Taken to a grotesque laboratory, he confronts the fanatical Patrão, a musical obsessive with a twisted vision: to drown the city in a symphony of his own design using a horrific mechanical device. As the composer realizes he is the final, essential note in this monstrous composition, his fate hangs in the balance—caught between creation and destruction.
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Reprints
↩ Reprints Visão #1 (1975), Visão #2 (1975), Visão #3 (1975), Visão #5 (1975), Visão #6 (1975), Visão #7 (1975), Visão #8 (1975), Visão #9 (1976), Visão #10 (1976), Visão #11 (1976), Visão #12 (1976), Evaristo #1, Evaristo #4
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