Photoplay Magazine Cover — page 113: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

_ And Shane was frantic. and begged her to release him from his | “Come On Over” (Continued from page 112) “That was me mother’s name beiore she married me father,” she told him, “she’s restin’ by him now, in th’ churchyard.” She ‘did not know that her mother’s romance with Carmody had been the sort of a trage- dy that she and Shane might have known— one of unfulfilled waiting Shane came back at last, to the flat. But Moyna refused to see him, She ran out of the room when he entered and locked herself into a bedroom. And, when he tried to force the lock she threatened to jump from the window. At last, still refusing to explain matters to the now angry Delia, he left. And Moyna accepted Carmody’s invi- tation to come with him to his Ssters home until she had made her plans for the future. * & &€ * & The party! Moyna in an evening frock loaned to her by Mrs. Van Dusen’s daughter, Michael Mornahan in a dress suit, Michael's third son, a priest, and his two other sons, as well as his pretty daughter. Delia, in satin, and the old mother. . The Van Dusen mansion had seen larger and more fashionable throngs, but never a noisier mob, or a happier one! They had all arrived when Shane came in. He was pale, and nervous, but his eyes were bright with joy as they fell upon Moyna. He was in a daze of admiration as he said to her. “Girl, you're wonderiul. of you like this!" Moyna tossed her head as she answered, “You like your lidies dresed up, don't ou?” she said shortly, And just then the irate butler announced, “Miss Judy Dugan and Mr. Dugan.” Aé once the Mornahans froze, in a body. He hurried to Judy I never dreamed promise. And then, in desperation, he went to the young priest. But the pricst had | also promised. Things were going badly for the party when an old blind piper made his way past the butler and into the house. He was the piper who had played for them all, years ago, in Ireland. Everyone crowded up to him, and Moyna whispered, throwing herself into his arms, “I’m Moyna Killilea.” E o'd piper ran his hands affectionately over the girl’s face. “Shure it’s my little Moyna,” he whis- pered back. “Only vour voice is taller than it was!" Moyna was crying—the long hard day had been too much for her, The old piper felt her warm tears upon his withered hand. “There’s only one way to shake sorrow off, honey,” he told her, “and that’s to dance it off.” The word dance seemed to electrify the company. It made Delia smile suddenly. “You may be the rich Mrs. Van Dusen now,” she said to her hostess, “but I used to dance you down when you were only Maggie © Carmody.” Mrs. Van Dusen bristled with anger. “Nobody ever danced Maggie Carmody down,” she answered. “Shure, I could do it again,” Delia an- swered, “but not on these rugs. I used to dance out in the fields on a door.” Without more ado, Mrs. Van Dusen turned to the shocked butler, “Bring a door,” she ordered, “a smooth door.” And it was brought. Everybody was dancing wildly. The young people were doing a modern jazz, the two women were clogging. Dermot, the priest, crept silently out—the old piper was nearly exhausted, And then Mrs. Van Du- ‘ (Concluded om poge 114) When you write tu advertisers please mention PHOTONLAY MAGAZINE. PHOTOPLAY MAGAZINE—ADVERTISING SECTION | my present suceest ja duc in a great measure to your | wonderful methet of instruction.) And drawings on a comic serics. 113 Amazing New Method Makes re — With This Wonderful New Graphic- Correction Method You Can Easily Learn Drawing in Your Own Home in Spare Time © matter what your present ability may be--no matter if you feel that you have no special “talent'’—by this wonderful new method you can quickly qualify for the fascinating and highly-paid profession of Commercial Art. Even those whose work was not as good as the figure shown, have quickly and easily learned to qualify for big, highly-paid positions in this splendid un- crowded ficld., From his years of expericmce as artist, cartoonist, ilne- trator and toacher one of Amcripa’s foremost commercial urtists bas evolved & aesetem of instruction, which cuts the time usually necessary for such training practically in fealf. You study ot home, but it is exuctly the cite as if you were working in his studio. How This Method Makes Big Artists Out of Those Who Think They Can’t Draw ~hnont dems arte \a “ iS Fa pe od al dabe > ‘ ade This remarkably easy method teaches you Pepe again,—O. BR. Blake, Ont Town. Me-, ays: oan a .. : oT ny s am certain tat anyone, whrther he bas talent to draw just as you learned to write. First, of not, cannot fail to make rapid progress under your instruction,” Trained Artists Needed straight lines and curves, then shading, action, foreshortening, etc.—it takes you step by atep through all the phases of mak- ing pictures. Each step is explained in detail, and then your work is corrected and each criticism illustrated, It brings you, simply and easily, right up to the point where you are drawing pictures that bring Right now Cammercial Artists are at a ptemiam| Resumption of tusinese om the old pre-war basis has cation a crying demand for them. Newspapers, aiivertising agencies, magazines, business concerne- all are looking for men and women to handle their oe art work. Designers, illustrators, layout experts are | from $25.00 to $300 a piece or higher. meded. Opportunities and salories are practically untimited. And now, through this wonderful Graplhic-Correction Method, you can quality for one of these high-salaricd jobs. Send for FREE Book Mall the attached couper, and we will cenit you our kandsome})ly Ulustrated book, “ How To. Becomes An Artist,’ by return mail. The book tells you all about the course in detail. And shows you haw the wonderful Graphic-Correction Method works. Send the coupon TODAY. Washington School of Art, Room 1812, Marden Bldg., Washington, D. C. PCOSPS SKS TOT FEROS OHS F SFE SES FSFE EST Cee es eee TEES The Washington School of Art, Inc. Roorn 1812, Marden Blidg., Washington, D.C. You Learn to Draw Pictures that SELL! And this is the great point. The Graphic- Correction Method breaks away from the old, hard-to-under stand methods, which are based on "‘talent,”’ and instructs you in the business of making salable pictures quickly and easily. The fact that auch famous artista as Frank Godwin and Wyan Holoomb (Wynn) have oped this method proves ite worth. (Mr. Godwin writes: ‘I feel chat these are bat two of hundreds and hundreds of sueccssful students. Many have more than paid for their course even while they were atill karning. And dozens of them have started at work at a high mlary. Alfred B.. Flemming of Newark, N, J., writes “Since the hast lesson was returned, I have sold $25.00 worth of drawings (3). And another, J. B. Barwell of Staunton, Va., tells us, “Have just sold the first installment of twenty Please send me, without obligation on my part, your fires book, How To Become An Artist.” (State whether Mr., Mrs, or Miss) Address. 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