Photoplay Magazine Cover — page 109: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

— i EE ee —— —_—_ el PHoTorpLaAy MAGAZINE—ADVERTISING SECTION She Delivered the Goods (Concluded from page 21) looked like having the industrial and metalli- ferous portion of Poland taken away from its Empire; Korfanty, the Polish insurgent, was raising Cain in a series of raids. Negr replied to the newspaper attacks by stat- ing that she had also contributed to Ger- man war funds and war charities. It was a reply, even if not an explanation, ‘ It has already been said that Negri is highly emotional. Not only is this so in her work but she is intense in her private life. She never spares herself; and that she is $0 restless probably accounts for the fact that although two or three years younger than Mary Pickford she screens so much older. In person she {s much prettier in life than on the screen. Her face is not at all reminiscent of Theda Bara or Norma Talmadge, as had been suggested. Like most of the Berlin actresses she has a tendency to overdress, obtaining her clothes from Vienna. Sbe revels in luxury, but although she is now possessed of what ig an enormous income in Germany, she has not altered her character to any great degree from the days when she was an extra. She is no adherent to astificial dig- nity, and is just as democratic in her asso- ciations and friendships today as in the days of her climbins. Is her future assured, or is she just a meteor? Up to now her limitations have not been exactly defined; but if the Ameri- can public should ever insist on her playing parts of the Pollyanna school, it may prove that she is emotionally and temperamen- tally unsuited for them, and that her place on the screen is that of a tragecienne and not of a comedienne pure and simple, Night Life in Paris (Concluded from page 25) IY wat an American in Paris, all richt, all night, “E went to the museums, too. If some of those janes they painted pictures of in thoce days were alive now, they'd take our jobs away from us. But, my, they didn’t have any censorship on statues, did they? After I looked at some of those works of art, I blushed when I passed the guard go- ing out, “But the chureches—those are what T call | churches. Every time I saw a cathedral, I resolved to lead a better life. And I'm pretty near too good to be true, now. “T got in a regular kink over Berlin, though. That’s a great town. The chamber- maids in the hotel stole all our nightgowns, And it’s just as cold in Germany in the winter as it its anywhere clee. As the French would say, for a couple of nights, Lottie and I were ‘pouwlet au natural’ I hope that means what I think it does. “I wanted to ga to England. But I gave out an interview on the Irish question and I didn't dare, By the time I go back, so many people will have said things about the Irish question, I can put on a pair of false whiskers and slip in. “Now I'm going to lead a quiet life and make 2 couple of pictures.” Our hostess rose. And of course I never got near Teddy again all ¢vening. There were eight men in the room, Of course you suspect by this time that Miss Sampson is a motion picture star. I'll say she is. Tf you haven’t seen her recently speak to your exhibitor, How'd she get in? Where did she come from? What does it matter? She's been in for several years, via the Sennett route, and we wish there were more like her. 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