Pulp Fiction, 1942 · page 43 of 116
10 Story Detective, July 1942 — page 43: what you’re looking at
What you’re looking at
# Page Analysis This is a **story page with illustration** from an early-20th-century pulp magazine. The page contains an ink illustration showing a young man leaning over a woman reclining on a bed in what appears to be a hotel room, with dramatic noir-style shading. The visible text describes a character named Donald who came to the city and became involved in a murder, apparently motivated by love. Below the illustration is a letter from "Uncle Henry" advising Donald against gambling and suggesting the farm could have survived financial difficulties without a mortgage. The narrative concerns themes of ambition, temptation, and moral consequences in an urban setting.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Young Don hadn’t been in the big city twenty-four hours before he stumbled into a murder, became a rich man—and fell in love. But it was the love angle that made hima homicide suspect. For he offered himself as a sacrifice on the altar of chivalry. That’s why I came to the city. I was unpacking my bag at the old Y, and there on top of my shirts was Uncle Henry’s letter. Dear Donald: You write that you need twelve hundred dollars. Isn’t that a lot of money for a farmer? If you’ve been gambling you'll just have to make the best of it by yourself. The farm always was self-sustaining, Besides, I be- 41 hieve it builds character for a young man to weather his own financial storms. \ UNCLE HENRY Gambling? Gosh! Uncle Henry had me all wrong. I didn’t even know one card from another, And what with all the chores to do I didn’t even have time to get to town very often. Even so the farm could have stood a bad season but for the mortgage. IGooo COI S (C(O) =