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Penny Dreadfuls, 1916 · page 239 of 400

Tom Anderson, Dare-Devil: A Young Virginian in the Revolution — page 239: what you’re looking at

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Tom Anderson, Dare-Devil: A Young Virginian in the Revolution — page 239: Penny Dreadfuls, 1916

What you’re looking at

# Page Description This is a page of running prose narrative (page 221) from a Victorian penny dreadful titled *My Lord Rawdon and the Runty Rebel*. The text depicts a tense conversation between Sir Æneas (a British baronet) and Captain Anderson (an American prisoner of war). Sir Æneas confronts Anderson about singing rebel songs near his house and questions him regarding a young woman named Miss Elliott. Anderson refuses to discuss the lady, asserting that while he is a prisoner under British military authority, Miss Elliott is not subject to military censorship. The exchange grows heated, with Anderson maintaining defiant dignity despite his captive status.

📄 Transcribed text from this page (OCR, searchable)

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

My Lorp RAWpoN AND THE RuntTy REBEL 221 certain Southern officers to take up quarters in the city. I am one of them. 5o I’m within limits here — being an ‘oppidan’ instead of a Haddrell’s-Pointer,” with a gleam in the grave black eyes. [he De Berrien eyes were a survival of St. Bartholomew’s Night. “Cool as an iced cucumber,” thought the baronet. He looked at the signature again. “*McIntosh’s Army’ — McIntosh! Always McIntosh!’ ‘Blood will tell, sir,’’ responded the American, glancing at the card which had been handed to him, bearing the two words “lhe McIntosh.” Somehow Sir Atneas was finding this interview much more difficult than he had meant it to be. “T sought this interview, Captain Anderson, to say cer- tain things to you.” An ominous pause. “That Rebel song, sung in the hearing of His Mayjesty’s officers, was an insult to them.”’ “You forget, sir, that | knew nothing about your being in the house.” “My carriage was at the door — “T have n it the pleasure of an acquaintance with your coach horses.” “By whose leave do you come here — singing Rebel songs under these windows — to Miss Elliott?’? He had intended to avoid mentioning the fair firebrand’s name, but his temper was rising. “Not without the consent of the big mastiff in the back yard, you may be sure! But when I sing songs in the drawing-room, it 1s by invitation.’ “Do you mean to tell me — “I mean to tell you nothing, sir A‘neas, about the young lady you mention.’ “How dare you, an American prisoner, speak in such terms to me?” “I’m an American prisoner, completely in your power. But the young mistress of Marley 1s not under military censorship. I won’t talk of her, to you.’ A breathless pause. CORNICIO® SS (CO) im