Judge — July 1933 — page 25: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE THEATRE (Continued from page 10) quid existing in the ultimate purposes of the unacted as opposed to the acted drama. Last night at the Shubertorium the audience, however, remained in some doubt. The actors did what they could but, in Beaumarchais’ phrase, ite was not to the end that the means could serve. Stark Young HREE years ago, on a moonlit night in the gardens of the Piazza della Signoria, as four years ago on a truck eve on the steps of the dei Lanzi, in Florence, a thought from Marcus Aurelius seeped itself into my mind: Simplex munditiis, senc puer, suaviter in modo fortite i hat thought came to me again as I hefore the scene in “Getting Mabel’s Garter” where the butler seizes the serv- ing-maid by the arm and says to her, in tremulous tones, baby, kiss papa!” The nuance, in its haunting wistfulness, had something of the tremor of the cypress leaves in the pale, soft winds that blow from the Bay of poli over the Castel del Ovo in the direction of the Palazzo di Capodi- mte, on a night of moon and. star- (Here follows a dust. the art of acting.) 6,000. essay on George Je: “Getting Mabel’s torium)—Tripe, TRESS PEPY (Continued from page 8) MIS the under- ground passage, the honeymoon cottage, the law office, ete., but naught was said about Thomas Jefferson's bedroom, ver of matchless ingenuity w mean to copy if ever I build a hou country, for I was much pressed by the bed paneled into room's center, and by the tiny sti led up to the valet’s sleeping which had portholes through which he could look down to see if all was well with his master, who doubt- . like me, had liefer have a good servant watching over him than an I do also recall how I discov- ered on the wall of a recess a picture of Monticello which bore no resem- Dlance to it soever, and when I ex- claimed as much, a professional guide who overheard me volunteered, “You are quite right, Madam. A Frenchman P 1 that from memory.” Never in my life have I seen an estate which so eloquently proclaimed its owner’s aris- tocracy and love of comfort, so that I do now regard his having ridden a mule to his inauguration not as a democratic gesture but as a stroke of political genius, features as the dumbwaiter, i ¢ d in the im- the re: which cubby, | A NEIGHBOR, passing by, glances through your window and sees you in the living-room. But you are around the corner on Main Street, ordering from the druggist. You are | in a nearby town, chatting with a friend. You are in a distant city, delivering a message of cheer and reassurance. You are across a con- tinent, or an ocean, talking clearly and easily.... Your neighbor, returning, glances in again. You are still in your living-room. Your telephone is you. In a mo- ment it multiplies and project personality to many different p! and many different people, near or | AMERICAN TELEPHONE AND far. Part of your very self is in every telephone message—your thoughts, your voice, your smile, your words, the manner that is you. All you see is the familiar tele- phone instrument. Back of it are hundreds of thousands of trained employees, attending almost endless stretches of wire—so that you may call, easily and quickly, any one of more than sixteen million telephones in this country and an additional thirteen million in other lands. You are cordially invited to visit the Bell Sys- tem Exhibit in the Communication Building, Century of Progress Exposition, Chicago. TELEGRAPH COMPANY It costs NO MORE TO PLAY THE NU ONLY GOLF BALL WITH STA KING DISTANCE: — *Guaranteed tested to give 7. to 12 yerds more carry on drive and full second shot Ti then with the former construction “Play the ‘King’ and make your par, Its Patented Lining, gets you 'thar’.” All prices subject to change without notice KING OF THEM ALL Silvertown Lynx 45 cents John Wanamaker—New York, Broadway at 9th St. Sole Distributor in the United States comicbooks.com