Judge — November 1932 — page 28: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE THEATRE (Continued from page 16) and — unhappy fact — theatrically dull, Pies 5 No. 13.—“Ol’ Man Satan,” by Avenue at the entrance «| Donald Horwood: was an unfortu- 7 nate attempt to dig into some of to Central Park, The . “The Green Pastures” cush. There Plaza and The Savoy- ne | | was a Biblical story seen through + } i ~ 4} | Negro eyes; the stage was full of Plaza offer the highest “ 5 residents of Harlem; there was the standards of hospitality | familiar singing of spirituals; in ... everything to make | { 1 fact, everything was on deck but ae Fovable : another “Green Pastures.” A pretty your visit an enjoyable dismal evening with a copycat whose one. < one departure from straight-away ' i imitation, if not novelty, consisted Z in having his Satan character tele- Reservations for the < phone such morality-play figures as aeiirsh tether ee Passion, Avarice, Gambling, Morris macy be meade oF Se Gest and the like and command them PLAZA sod) SAVOVPLAZ to go out into the world and stir up The COPLEY-PLAZA, Boston , a £ trouble. 4 £2 No. 14.—“The Other One,” by Henry Myers. Dreadful claptrap about a girl who murdered her twin sister and inherited the latter’s char- HOTELS acter. Even if it had been any HENRY A. ROST FRED STERRY JOHN D. OWEN | good, no one would have known it, President OF President Manager as the actors kept their lines so con- fidential that they were unintel- tn n ligible back of the orchestra pit. DI 5 T | N (Ci | O n Dramatic Interlude. — “Amer- | icana,” a revue by J. P. McEvoy. The poorest stuff in the show is the M. McEvoy’s contribution to it. His sketches mark the limit in dulness. Some of the dancing is novel, how- e JUDGING bd ever; there are a couple of good they say, by the tunes; a comic singer named Weber long toe-nails on is amusing; and a girl named Peggy Cartwright is worth looking at. e PEACOCKS No, 15.—“The Great Lover,” a and the pelt on the bears in the revival of Leo Ditrichstein’s old ve- hicle. Lou Tellegen has the leading ° ZOO e role. If you can stand Lou, you can this is the winter for southern | do something that I can’t. e CRUISES e No. 16.—The Abbey Theatre Com- pany in a repertoire of modern Irish plays and—good news at last— something I can recommend to you e TROPICS e to keep you out of even your favorite speakeasy. So plan for a mid-season thaw in the Whether a rhythmical week- end in Nathan’s Opinions e HAVANA e ““Anothee Language”—One of the beat of 1s or a sun-bathing month in bright e BERMUDA e or a jaunt to any other part of the “| | e WORLD e . elmer Rice's moderately | teana” ots, but in genera: for details and deck-plans, rates and reservations, communicate with eth a rhole EASTERN AIR e CALDWELL e drama Sy Barton MacLane. who reveals himeelt TRAVEL SERVICE better actor than he ia a playwright, li id a TRANS PORT SY STEM 665 Fath Avenve a He good mizing use Abbotts Tee ‘i 50 tt New York City P.O. Bor recites Md.—Advt. comicbooks.com