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Judge, 1932-10 · page 30 of 36

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Judge — October 1932 — page 30: Judge, 1932-10

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TRAVEL THE AIRWAY FAST — CLEAN COMFORTABLE LUDINGTON AIRLINES NEW YORK - PHILADELPHIA - BALTIMORE - WASHINGTON RESERVATIONS AT ALL LEADING HOTELS, TRAVEL BUREAUS, PENNA. R.R. TICKET OFFICES, POSTAL TELEGRAPH, WESTERN UNION Apvice TO HOSTS: Why not enjoy your party even though ret 3 Absorbent Coasters y, for box of eight. They are the ca’ Cents to Dr. c for 6 Months Introductory Offer NATIONAL SPORTSMAN National Sportsman, 19 Transit Bldg., Boston, Ma Name Street City What's a MILLION DOLLAR PHRASE for’ Fun at Home? LEG-o-MATIC BRIDGE SETS FOR THE MODERN Automatic table... All iegs open and close with GID «:. SIMPI BEAUTIFUL Seld At Leoding Department er Purniture Stores LORRAINE METAL MFG. CO., 352 FOURTH AVE., NEW YORK, N.Y. 28 THE THEATRE (Continued from page 16) denounced by the critics as being fit only for the consumption of imbeciles and who shortly thereafter take the critics by the buttonhole and proudly substantiate their self-esteem by an- nouncing that the plays are playing to standing room on! Critics who consider it a great tribute to their powers of discern- ment when they succeed in recogn ing a set of s ew pl having been u: er play the season befor Producers with a new play in the immediate offing who call up a critic and tell him what a wonderful piece that was he published on the classic Hindu drama the week before but not to think, please, that there jconnection between their ver; jencomium and the fact t themselves have a new play coming on in the near futur Plays in which actors are seated in the auditorium and are supposed to be members of the audience not be- forehand detected by the rest of the jaudience as characters in the play |and who assist the illusion by coming down to their seats with eight dolls worth of greasepaint on their faces jthree minutes before they are called |upon to do their stuff. | Press-agents with plays of their jown up their sleeves who seek to in- gratiate themselvi with the re- viewers as open, aboveboard, un- prejudiced and intelligent fellows by confiding to the latter that the plays | which they are professionally repre- senting and which they are paid to tout aren't much good. Moving picture magnates who produce films like “Penthouse Sex”, ‘Gangster Love” and “A Billionaire’s Passion” and who stand on the side- walks between the acts of plays by O'Neill, O'Casey, Galsworthy and Maugham shaking their heads doubt- fully over the future of the theatre. Producers who iy to bring back something of the air of the glamorous old Gays of the theatre by installing an amateur violinist and piano er in the orchestra pit. agers who turn down plays bsequently prove to be gr sses, who go around to see them and who explain away their rejection \of them by stating that the plays aren't really so good as everyone thinks and that their success is due simply to the circumstance that their producers managed to get hold of a certain actor or actress whom they couldn't get hold of. Critics who are amazed and dum- founded when an actress who has played on the road and in stock com- panies for ten years but who is mak- comicbooks.com