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Judge, 1932-01-09 · page 31 of 36

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Judging the Movies (Continued from page 20) stand, can analyze and classify “Safe in Hell” they can do better than I who get money, or what passes for money, attempting it. sto “The Cheat” I can only refer to “Safe in Hell” for an expla nation, We are asked to believe that a sex-ridden sadist keeps dolly made in the image of what we are asked to believe are ruined women and that a woman is branded somewhere around the bowsprit and appears in’ court with this unique marking. And while the gals do collect money these days for such monkeyshines and although there are people like Daddy Brown- ing in the world, it is the men, not the women, who furnish the plots; sordid, cheap and undramatic as they are, for the tabloids. Be ruse, although it chills my blood to it, even the masses have look oon) virginity ay a otiable, and not a sacred institu Or perhaps T have seen too iy movies lately. “ * « The City Circus (Continued from page +) The vuntain Lunch Counter. fifty living men and women de- vouring every inconceivable combina tion of confection and condiment. De fying every admonition of medical science. Tf there be in my audience 1 doctor, I dare him to prescribe the same dict to his fittest and. strongest patient, and then TI challenge him to. bring him out here and walk him be fore you and te. And yet these peo- | ple live. ‘They breathe and talk and walk it. “They are not pickled in alcohol, They are not mechanical contraptions. ‘They are ranteed to be alive. When you walk in here, ladies and gentlemen, you will see fifty positively living men and women who will consume every absolutely in igestible permutation and combina rf food before your very eves. ome one! Come all! Mothers and fathers, boys and girls, De gustibus non disputandum, but look! This way, ladies and gentlemen, this way. | The Hero Coward Te tell of the time when Noel Coward visited Hollywood and | ** rented a movie producer's home. A | vard for stion of the movie magnate’s mansion, wishing to article it with photos. They promised him a pretty financial reward for the brief descrip- tion, Carn to Dance The Dartmouth By Arthur Murray America’s Foremost Dancing Instructor |. Take a long, slow step back- ward on left foot; Right foot directly backward; Left foot toward lower left- hand corner; Draw right foot up to left, quickly, and then pause for one quick beat. Why good dancers are popular = BY ARTHUR MURRAY World-Famous Dancing Authority G' JOD dancers are good mixers. They create a able impression—have ease of manner, a please at wins leeful exercise. Keeps you h : Lof pep. Develop easily often opens Easy as A-B-C With my amazingly simple less I. through T have women how t method, all the fun al ARTHUR MURRAY, Stud) 7 Bast 43rd Street, New Y thi Coward cabled in reply: “Accept offer | {5 stop Early Metro-Goldwyn!” —Watrer Wixenent in the Daily Mirror the Arthur Murray y lighted with th fi Promptly