Judge — May 9, 1931 — page 34: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

havent felt myself an the Jast few days Si Is He's busy yust at present. th doctar Wont you be seated pt ull find some magoz ? [a an the Cable ile yeu How many times have I Cold you not to leave hat Judgearound here, JUDGE—18 East 48th Street New York, N. Y. Please send JUDGE for 0] $7.80. 21 weeks, $2.00. TO NAME ADDRESS city | yeor, $5.00. [) 2 years, The Theatre (Continued from page 18) regard him as an important dramatist. With the presentation of “The Thief” in America, his reputation was estab- lished over here, and when the Belas- coed “The Secret” came along Henry was not only sitting pretty but was smelling roses that the critics bom- barded him with. His highly theatri- calized fevers were accepted as drama that plumbed the human heart, and his furors involving husbands, wives, mistresses and lovers were looked upon as out-hervieuing Hervieu, out- lavedaning Lavedan, and making Porto-Riche look like a dramatic Skippy Henry ‘has now exhibited to us another of his showshoppe dainties t is called “Melo.” In an interview published in one of the local papers, Henry says he wrote it on a bet. Someone said, he says, that he couldn't take the old stock figures of melodrama—husband, wife and lover nd write a melodrama about them that would go. So Henry he ups and writes the melodrama and here it is at the Théatre Ethel Barrymor: That it is a melodrar no one can deny, not even the man who laid Henry the wager. But, though it went in Paris at the Gymnase (where anything seems to go, except only the usher if you offer her less than three frances), how it will go here I don't know and don't care, as it’s none of my business. I hope it does go, even if as drama it is a sorry gimcrack, be- cause I always like to look at Edna Best. There is something charming about that woman, aside from her con siderable ability as an actress. True enough, the M. Basil Rathbone is on the stage at the same time and you have to look at him too, but one can't have everything in the world. Nathan Recommends “The Barretts of Wimpole Street” (E: Katharine Cornell and_a fine presentation « Besier's ably written Barrett-Browning p “Once in Lifetime” (Music Box)— theatrical season is a dull one that produces a farce as funny as this, “The Vinegar Tree” (Playhouse) — Several ladies play sex tag with a bachelor. Ao amusing comedy. “The Green Pastures” (Man cal play with humor—and the wi nine-tenths of the others usually 1 “Three’s a Crowd” (Selwyn)—It's an en tertaining revue, what with Allen's facetix, Webb's hoofing ‘and Holman's yodeling. “The New Yorkers” (Broadway)—Jimmy Durante heads a generally diverting song. dance and wheeze evening “The Wonder Bar” (Bayes)—Al Jolson makes up for those parts of the show that aren't too stimulating. Nathan Recommends—with Reservations “Five Star Final (Cort)—A_ melodramatic wallop of the tabloids, often effective despite its deficiencies. rr TANGER PRINTING ©O., ING, JAMAICA, ®t SD INERT comicbooks.com