This 1911 poetry collection arrives on the threshold of the pulp era, when cheap wood-pulp paper was already reshaping what print could sell and to whom. The title's imagery — shadow, otherness, the plural and anonymous children — belongs to a late-Romantic symbolist vocabulary that pulp editors would soon strip for parts, feeding its atmosphere of dread and hidden worlds into the weird-fiction magazines of the 1920s. No painted cover survives in this copy; the plain scholarly presentation marks it as trade verse, not newsstand spectacle. Yet the emotional grammar here — darkness as protagonist, the self displaced into shadow — runs directly beneath the lurid painted covers that Weird Tales and its kin would perfect a decade later.
About this artifact
- Date
- 1911
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by comicbooks.com.
Part of our mission to preserve and restore the public-domain heritage of the medium.